Cobb's Poetical Geography
( iiM|ii4‘ textbook of a U(4i(‘ralion
ацо
con-
Inineil llie
пашем
of mountains. rivers,
сгсскм,
sounds and bays of the state in
rhymed arrangements.
I
К
you wore born in North Carolina
I long enough ago lo have gone to
■ school in the ’liineliee, you may
have learned “by heart" the musical
пашен
of our mountain rivers in this
order :
“S'vannanon, Tahkeosln,
Tucknseigc, Tennessee,
Wild Watauga, Iliawasse,
Nnntahala, Cheowee,
Valley, Elk. Ocoualufia.
New ami Toe ami Pigeon flow
From the Skyland through the
mountains
To the Gulf of Mexico.”
For that was how Dr. Needham
Игуан
Cobb (18311-1905) put them
in verso form in his Poetical Geog¬
raphy of North Carolina, which was
memorized in some of the schools of
the state a half century ago. (A foot¬
note to the quoted lines explained that
“Tahkeostn" is the Indian name for
the French Broad.) Following this
rhythmical arrangement of the four¬
teen westward-flowing rivers, the fifty-
nine other North Carolina rivers are
accounted for in similar poetic style.
For convenience in memorizing,
the rivers east of the Blue Bulge are
grouped ns tributaries of the Catawba,
the Yadkin, and Cape Fear, the Nouso,
the Pamlico rivers, and the Albe¬
marle rivers. The Pamlico rivers,
to use the smallest group a» an il¬
lustration, appear as follows:
“Little, Flat and small Kim,
Trent and Nellie and Pamlico,
Pungo, Tar and Pantego,
liny and Long-Shoal slowly flow
To the Sound of Pamlico."
In addition to the rivers, the
Poetical Geography would have the
youngster memorize all the mountains,
bays, sounds, principal creeks, and a
‘‘Key to the Ninety-six Counties"
which comprised the state at that
time! The rhymes were written to
uid the author's own pupils in
memorizing the geography of their
native state. But later, in 1SS7, they
were published in book form by the
Riverside Press, Cambridge, for use
in other North Carolina schools.
One of the most interesting sections
of the book is the one dealing with the
creeks. It was obviously a consider¬
able task to trace and catalog all
В I/
W. II. JO!\'ES
the principal creeks of the state -31)4.
nil told — and to weave their odd and
interesting names into rhyme. What
human-interest stories of pioneer days
might we find, if we eould trace tin-
origins of such names as Hard¬
scrabble. Troublesome. Panther. Wolf
Island, Swearing, Gunpowder, Meat
Camp, and Sandy Mush creeks!
The Poetical Geography begins its
catalog of the creeks with these moun¬
tain streams:
“Stekoah, Tu.kogee, Balds three and
Cowee,
Catalooclie and Jonathan'», Cove and
Crabtree,
Two Ivys ami Laurel and Piney and
Pities,
Beaver and Heaverdnni. Sugarton,
Fines,
Hurricane, Hominy, Richland and
Scotts,
Sandy Mush, Gusli's, Mud, Cove and
Plott’s,
Brushy and Beech, .lack’s, Grassy,
and Rheums,
Lieklog and Shooting (queer little
streams),
Barker's, Alarka, ami tumbling Cat
Stair,
Red Marble and Brierlown. high up
in air"—
The neatly rhymed lines continue
until sixty creek» west of the Blue
Ridge are named.
Skipping now to the north-central
part of the state, we find these streams
singing their way through the author's
musical lines toward Roanoke River:
“Wolf Islam! and Marrows, Town,
Hogan, and Show,
And Neilmaii and Itouhle, two
prongs of Hyco,
And Big, Mill, and Moon (these
names are no jokes),
From Rockingham, Caswell, and
Person and Stokes,
And Bearskin and Nut hush, from
Granville and Vance,
Big Grassy, Big Island, and
Jonathan's prance,
With Sassafras, Gardener’s, and long
County Line,
Kehtlke, Skewarkee, and old Sandy
Run"—
These selections serve to illustrate
the author's method and style. The
mountains, hays, and sounds are
treated in a similar way hut with
stiflieieiit variation of meter ami
rhyme scheme to avoid monotony. As
a filial quotation, these lines may
aid someone ill rvuieinl«erilig the
North Carolina sounds :
“Just eleven shallow sounds
Sliiuilier on our shore:
Albemarle and Pamlico,
Topsail, Stump, and Core,
Currituck and t'roatan
Where tile wild geese soar,
Wrightsville. Masonlioro, Boguo,
Roanoke- -and no more."
Ill hi» Preface the author tells
ns that his pupils were required to
n-|»ent the rhymes iu concert. After
they were memorized, they Were need
as recitations when parents came to
visit the school on Friday afternoons,
as they frequently did in those days.
As was true of many schoolmasters
of a former tiny. Dr. Needham B.
Cobb’» vocation was that of the Chris-
linn ministry. Teaching was an ad¬
junct. Yet he was keenly interested
ill it and was proficient in several
fields. H<- received his A.B. and M.A.
•leg rev- from till- State Fniversity at
an early age. The honorary I). If.
degree was conferred later hv Judsou
College. As an illustration of his
versatility as a teacher, ii is said that
he gave the first instruction in short¬
hand ever given to a class in this
state at the I’niversity’s first summer
school in 1877.
The Poetical Geography contains
a number of the author's poem, on
other subject- than North Carolina
geography, one of which (Reply to
Gray'» Klegy) was quoted in Ameri¬
can and English periodicals of the
day.
During a long ministry in the
Baptist church, Dr. Cobh served a-
pastor in Hickory, Fayetteville.
Lilesvillc, Aneonville, Shelby. Wayne-
ville and other North Carolina com¬
munities.