- Title
- State
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-
- Date
- June 1976
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-
- Place
- ["North Carolina, United States"]
-
State
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A Banner for the
"Yankee Celebration"
ll was 1876. and many Tar Hods
wanted no part of The C'ontonnial.
By II. G. JONES
(Curator. North Carolina Collection)
The Civil War had been over only
eleven years when the United States
observed the centennial of the declara¬
tion of independence. The war wounds
were so deep that many Southerners
were in no mood to glorify the Union,
and the official catalog of the Centen¬
nial Exposition in Philadelphia in 1876
reflected the predominance of exhibits
from non-Confederate states.
The outspoken Cornelia Phillips
Spencer of Chapel Hill put it this way:
”1 confess I have thought sometimes it
would be as well if we stood w ith our
arms folded, looking on steadily and
scornfully at the grand 'yankee cele¬
bration'. refusing to share in it, or to
swell their vain glorious triumph by
any participation."
But. she continued. “Far be it from
the genial, generous and brave South¬
ern heart to entertain or cherish or ad¬
vocate such a cause. We must see that
the year 1876 is marked by the return of
entire cordiality between North and
South. If we have nothing to show, in
those great Halls now preparing at
Philadelphia, no token of Southern
wealth, or grandeur, or prosperity, we
can at least show ourselves there. Our
men and women are worth looking at.
and we can exhibit the finest spectacle
in the world — a generous rivalry in the
road to reconciliation, and absolute
forgiveness of all injuries, and oblitera¬
tion of all ill-will forever.”
The women prepared a circular ap¬
pealing for financial contributions:
". . . we ask you to aid us in procuring
a Flag that we may not be ashamed to
send as the representative offering of a
State which may justly claim to be
equal to any other in asserting and
maintaining the rights of the Colonies
to be free. The Flags will remain in
Independence Hall until the celebra¬
tion of the Bi-cenlennial. and we desire
that it shall be historic in design, costly
in fabric, and made by the hands of
those who are proud to subscribe
themselves descendants of the women
of the Revolution."
Cornelia Spencer threw herself vig¬
orously into the campaign to raise the
necessary money. To Eleanor Swain
Atkins, she wrote. "You are a
N. Carolina girl. & have got some
good Revolutionary blood in your
veins. Help us get up this Flag. Send
me something — anything, from one
dollar up to ten — & your name shall
appear w ith honor w hen the list is read
out at the Bi-Ccntennial . & your
Grcat-grand-children will hear it."
Despite indignant refusals of aid
from some Tar Heels. Mrs. Spencer
and the other women eventually raised
the funds. That the project was under¬
taken by the Ladies Memorial Associ¬
ation, formed only ten years before to
care for the Confederate dead, is all the
more remarkable.
To Hang 100 Years
Now. Cornelia wasn’t noted as
being overly tender, but her thoughts
on "Yankee celebration" were shared
by many other Tar Heels. Among them
were the member* of the Ladies
Memorial Association of Wake
County who decided to accept the invi¬
tation of the “Ladies Department" of
the centennial to provide a flag com¬
memorating the deeds of their state in
the American Revolution.
12
Oertel Was Available
With money in sight, the women
turned attention to the making of a fiag.
They could have sewn one themselves,
but an unusual opportunity suddenly
presented itself, and they eagerly took
advantage of it.
To Raleigh in May. 1876. came the
Reverend Johannes Adam Simon Oer¬
tel. a Bavarian-born artist who had
migrated to the United States and
earned a considerable reputation in the
North as an artist of religious subjects.
Some of his early work — for instance.
"Rock of Ages” — had. however,
been pirated, and he was in financial
straits when in 1869 he moved to
l-cnoir. North Carolina, and became
minister of St. James Episcopal
Church. His seven years at Lenoir had
also been very lean, and Oertel came to
Raleigh in search of patrons who
wished portraits — or any other
artwork — painted.
Through the month of June. Oertel
worked on the huge white double silk
banner, measuring about four by eight
feet. By the end of the month the
finished flag was put on exhibition at
the Alfred Williams Bookstore in
Raleigh and shortly afterward was
forwarded to Philadelphia.
The Daily Sentinel described the
front of the flag as consisting of the
allegorical figures of liberty and pros¬
perity as a medallion in the center sur¬
rounded by a monochrome border of
white oak and holly. Various dates
decorated the space around the center,
and a dove bearing an olive branch
("as a token of the good will and fra¬
ternity of North Carolina to her sister
states") appeared in one corner.
The other side, of which no picture
apparently exists, was described
thusly: "The reverse side is simply a
description, by general emblems of the
’Old North State’, which well known
designation is written over the right
and left of the medallion centre, con¬
taining in the form of a landscape, the
coast and mountain character and the
principal products of the state, while
the lower comers contain respectively
the magnolia as belonging to the east¬
ern section and the rhododendron rep¬
resenting the western section of North
Perhops there would hove been no North Corolmo
llog at the Centennial Exposition had it not been lor
the vigorous campaigning ol Cornelia Phillips
Spencer, who felt the yeor 1 876 should be "morked
by the return ol entire eordiolity between the North
and South " She was |Oined in the protect by the
Lodies Memorial Association
THE STATE. June 1976